Article
Peshawar Museum: Being largest one across globe to home Gandhara Art, all set to attract huge number of tourists on co
Published
5 years agoon
By
Editor
PESHAWAR, (APP):Established in the heart of Peshawar some 150 years back on Sher Shah Suri Road, Peshawar Museum having a unique treasure of 30,000 antiquities of Gandhara civilization is all set to attract international tourists and followers of Buddhism in droves following completion of ongoing renovation work to enhance its architectural outlook.
Being a lone museum of Gandhara Art in the world having around 30,000 antiquities and a complete life story of Founder of Buddhism, Lord Buddha, Peshawar Museum is going to become an international center for Gandhara Art lovers after completion of expansion, renovation and preservation work currently in progress under Khyber Pakhtunkhwa Integrated Tourism Project (KITE).
Lateefur Rehman, Spokesperson Archeology and Museums Department told APP that conservation work on Peshawar Museum was initiated under the umbrella project of KITE worth Rs 17billion with assistance of World Bank to bring it at par with international standards and enhance its architectural value.
“We have engaged skilled laborers and hired consultants for conservation works that will be completed soon,” he said. Being the world’s largest Museum of Gandhara Art, Peshawar Museum had a unique distinction of housing more than 30,000 antiquities out of which 14,000 were put on display for tourists, archeologists, and followers of Buddhism and the rest were kept preserved,” said Noor Khan, Incharge Peshawar Museum while talking to APP.
Following completion of the work, he said, remaining artifacts would also be put on display for general public and international tourists.
“It is the only museum in the world where a complete life story of the Founder of Buddhism, Lord Buddha was available and kept preserved in the forms of statues and panels, attracting followers of Buddhism and international tourists throughout the year,” he said. Besides ancient dresses of Waziristan tribes, primitive cooking utensils and jewelry, he said adding, it was the only museum of South Asia where muzzleloader guns mostly used by British Army and Swords of freedom fighters, kings, warriors and punch marked coins were displayed.
“Most of these antiquities were adorned with museums in colonial period attracting foreign tourists from Europe, Thailand, Nepal, Sri Lanka, China, Japan, Turkey, Malaysia, SAARC and South East countries.”
He said about 6,000 archeological sites were so far discovered in KP and important antiques collected from these sites were also preserved at Peshawar Museum. Recalling its past history, Spokesperson of Archeology said the Museum was started as Victoria Hall in 1896 initially used as Dancing Club and was later converted into Peshawar Museum in 1906.
The present main hall of the museum was built in 1906 in the memory of Queen Victoria at the cost of Rs.60,000, out of which Rs.45,000 were donated by the public of then NWFP (now Khyber Pakhtunkhwa) and Rs15,000 by Director General of the Archaeology of that time. Following completion of building, the museum was set up in November 1907 to house Gandhara sculptures excavated from major Gandhara sites of Shah-Ji-Ki-Dheri Peshawar, Sahri Bahlol, Takht-i-Bahi in Mardan district and later from Jamal Garhi and other Gandharan sites excavated by British archeologists.
The two-storey building, an amalgamation of the British and Mughal architectures, originally consisted of a main hall and two side aisles on ground and first floor, surmounted by four elegant cupolas and small pinnacles on all corners.
On the eastern and western side of the building, two halls were added in similar fashion in 1969-70. After its inception in 1907, Peshawar Museum was run by the Peshawar Municipality and Superintendent of Archaeological Survey of that time, Frontier Circle was Curator of the Museum.
When the Frontier Circle Office was shifted to Lahore in 1927, a full time Curator was appointed under the Provincial Government. Following independence of Pakistan, the Museum came under direct control of Director of Public Instructions (DPI), Government of NWFP (KP) Peshawar In 1971 and an autonomous body, Board of Governors, was constituted to run affairs of the Museum, headed first by Governor and later by the Chief Secretary, Government of NWFP (KP). In 1992, Government of NWFP (KP) established its own Directorate of Archaeology and Museums to ensure better protection and preservation of archaeological heritage of the province and today Peshawar Museum was working under the Sports and Tourism Department KP.
Manzoorul Haq, former ambassador of Pakistan while talking to APP said, “Pakistan is blessed with a number of heritage sites whether it is of Buddhism, Sikhism and Sufisim besides ancient civilizations situated in Mohenjo Daro, Mehrgarh, Taxila Harappa and Takht Bhai need proper projection on digital, electronic and social media to attract foreign tourists.”
He said KP being a home of Gandhara Civilization can earn substantial revenue by constructing new museums to promote heritage and archeology tourism in the province. Noor Khan, In charge Peshawar Museum said construction work on two new museums were completed in DI Khan and Abbottabad where ancients antiquities, artifacts, coins and statues would soon be put on display for the general public, adding two more museums were being constructed in Kohat and Haripur.
Following inauguration of these four new museums, he said the number of Museums would reach to 16 in KP where three Museums were already established in Peshawar, one each at Charsadda, Mardan, Lower Dir, Swat, Bannu and two in Chitral.
A modern museum has been constructed at Hund Swabi district near the historical site from where Alexander the Great had crossed Indus River in 327 BC. Hund is also famous for Mehmood Ghaznavi’s invasion in 998, marking the beginning of Islamic era in the region.
“The Directorate of Archeology and Museums has made remarkable discovery unearthing 2,000 years old Bhuddists’ fresco paintings found first century AD coins and three fresco paintings at Abba Saib Cheena Swat. These paintings are one of the earliest Buddhist frescoes so far discovered in ancient Gandhara,” Lateefur Rehman told APP.
With assistance of Italian Govt, he said Heritage Field School (HFS) project worth around rupees. 1 billion has been started besides a mega project worth rupees. 30 billion approved under Accelerated Implementation Programme for exploration, excavation and conservation of archeological sites in merged tribal districts.
Noor Khan said following the 18th constitutional amendment, Swat Museum, ancient monuments of Takht Bhai, Sehri Behlol, Jamal Garhi in Mardan and Havalian Buddhists Monastery in Haripur had been handed over to KP. “Takht Bhai and Sehri Behlol sites were declared as protected monuments under an Ancient Preservation Act (1904) and Antiquity Act (1975) of Government of Pakistan and the entire mountain area of 445 hectares near it had been declared as Archaeological Reserve by KP Government,” he said.
The Incharge Peshawar Museum said heritage and museums tourism had achieved tremendous growth during recent years in Pakistan especially in KP as evident from influx of tourists, Buddhists, Sikhs, archaeologists and historians.
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Captain Karnal Sher Khan Shaheed: The Invader
Fariyal Mir
Published
2 weeks agoon
July 5, 2026
Captain Karnal Sher Khan Shaheed had fought no less than an invader during the Kargil war at the Line of Control. He defended five strategic posts and countered the continuous attack by chasing and raids.
The face of bravery was born on the 1st of January 1970. He belonged to the land of Swabi in KPK and from there he completed his intermediate from Government Post-Graduate College Swabi and then joined Pakistan Army. He was commissioned in the 27th Sind Regiment on 14 October 1994. Captain Karnal Sher Khan emerged as the symbol of mettle and courage during the Kargil conflict at the Line of Control. He set up personal examples of bravery and inflicted heavy losses on the enemy.
He defended five strategic posts, which he established with his soldiers at the height of 17,000 feet in the Gultary area. On 5 July 1999, Indians, with the help of two battalions, managed to capture some portion of one of his posts. Despite facing all odds, he led a counter-attack and re-captured the lost portion. Captain Karnal Sher Khan also chased the enemy and conducted many raids in the enemy area. During one such raid, he went inside the enemy camp where he inflicted heavy losses. During the battle, he received a burst of fire in the chest and embraced ‘SHAHADAT’ on 5 July 1999.
He was awarded Nishan-e-Haider for all his bravery. The notion of all martyrs is well described in this verse:
“Ham Haq Par Jan Lutayan Ga Ham Shoq-e-Shahadad Wala Hay
Wo Sath Hamara Tarak Karda Jo Mout Sa Darnay wala Hay.”
Article
Markhor: The Majestic National Animal of Pakistan
Published
3 weeks agoon
June 29, 2026By
EDITOR
The Markhor, Pakistan’s national animal, is a symbol of the country’s natural beauty, resilience, and strength. With its striking, spiral horns and graceful stature, the Markhor is one of the most distinctive and remarkable wild goats found in the mountainous regions of northern and western Pakistan. As a creature of both cultural significance and ecological importance, the Markhor represents Pakistan’s commitment to preserving its wildlife and natural heritage.
Physical Characteristics: Nature’s Masterpiece
The Markhor is renowned for its majestic, corkscrew-shaped horns, which can grow up to 1.5 meters (5 feet) in length in males. These horns are its most striking feature and distinguish it from other wild goats. The animal’s name, “Markhor,” is believed to be derived from the Persian words “Mar” (snake) and “Khor” (eater), referring to the belief that the animal has the ability to kill or fight off snakes, though this is more folklore than fact.
Male Markhors are larger than females, and their horns are more prominent and elaborately twisted. They also have a longer coat, especially during the colder months, with a thick beard that gives them a regal appearance. Females, while smaller and with less prominent horns, are equally agile and graceful.
Habitat: Mountainous Majesty
The Markhor thrives in rugged, mountainous terrains at elevations ranging from 600 to 3,600 meters (1,970 to 11,800 feet). It is primarily found in the northern and western regions of Pakistan, particularly in the Himalayas, Hindu Kush, and Karakoram mountain ranges. The provinces of Gilgit-Baltistan, Khyber Pakhtunkhwa, and parts of Balochistan serve as key habitats for these wild goats.
Adapted to the harsh, rocky landscapes of these regions, the Markhor is a skilled climber, able to traverse steep cliffs and narrow ridges with ease. This agility not only helps it evade predators but also aids in foraging for food in difficult terrain.
Conservation Status: A Story of Recovery
The Markhor was once on the brink of extinction, largely due to illegal hunting, habitat loss, and competition with domestic livestock. By the late 20th century, its population had dwindled alarmingly, and the species was classified as endangered by the International Union for Conservation of Nature (IUCN).
In response, the government of Pakistan, along with international conservation organizations, launched several initiatives to protect the Markhor. Strict hunting regulations were imposed, and community-led conservation programs were introduced. These efforts have been remarkably successful, leading to a gradual recovery in the Markhor population. In 2015, the IUCN downgraded the Markhor’s status from “endangered” to “near-threatened,” recognizing the positive impact of conservation efforts.
One of the most successful conservation models has been the community-based trophy hunting program. Local communities are given a quota for limited hunting permits, which are auctioned to international hunters. A significant portion of the revenue generated goes back to the local communities, providing them with a financial incentive to protect the Markhor and its habitat.
Cultural and National Significance
The Markhor holds a special place in the cultural and national identity of Pakistan. As the country’s national animal, it represents the resilience, strength, and beauty of Pakistan’s wilderness and people. Its unique appearance and ability to survive in challenging environments resonate with the values of courage and endurance.
In local folklore, the Markhor is often seen as a creature with mystical powers. The spiral horns are sometimes viewed as a symbol of wisdom and leadership, reflecting the Markhor’s status as the “king” of the mountain goats. Additionally, the animal is associated with bravery and strength, qualities that align with the spirit of Pakistan.
The image of the Markhor is also featured prominently in various emblems and logos throughout Pakistan, including the insignia of the Pakistan Army’s elite Special Services Group (SSG). Its representation in official symbols highlights the national pride and reverence the country has for this majestic animal.
Behavior and Diet: A Survivor of Harsh Environments
Markhors are primarily herbivores, feeding on grasses, leaves, and shrubs, depending on the season. During the summer, they graze on a variety of plants found in the high-altitude meadows. In the winter months, when food is scarce, they move to lower altitudes, foraging for any available vegetation, including leaves, twigs, and bark.
They are social animals, often found in small herds, typically consisting of females and their young. Males tend to be solitary, except during the mating season, when they join the herds to compete for mates. The rutting season, which occurs in the winter, is marked by intense competition among males, with dramatic horn clashes that can last for hours.
Challenges and Future of the Markhor
Despite the success of conservation efforts, the Markhor still faces significant challenges. Habitat loss due to deforestation, expanding agriculture, and infrastructure development continues to threaten the regions where they live. Additionally, climate change poses a long-term risk, potentially altering the ecosystems that support the Markhor.
Continued conservation efforts are crucial to ensuring the long-term survival of the Markhor. Sustainable management of its habitat, strict enforcement of anti-poaching laws, and ongoing community involvement in conservation programs are all vital to maintaining and expanding the Markhor population.
Conclusion: A Symbol of Pakistan’s Natural Heritage
The Markhor is more than just a wild goat; it is a symbol of Pakistan’s natural beauty and the country’s commitment to preserving its unique wildlife. Its recovery from the brink of extinction is a testament to the power of conservation and the importance of protecting the natural world for future generations. As Pakistan’s national animal, the Markhor stands as a proud representation of the country’s strength, resilience, and rich ecological heritage.
To see the Markhor thriving in the mountains of northern Pakistan is to witness nature at its most magnificent—a reminder of the beauty that still exists in our world and the responsibility we all share to protect it.
Article
Jasmine: The National Flower of Pakistan – A Symbol of Purity, Humility, and Peace
Published
3 weeks agoon
June 29, 2026By
EDITOR
Jasmine, known as “Chambeli” in Urdu, holds a special place in the hearts of Pakistanis. Declared the national flower of Pakistan, the jasmine flower is not just admired for its aesthetic beauty but also for the deep symbolism it carries. In a nation marked by diversity and cultural richness, jasmine reflects the country’s values of simplicity, peace, purity, and resilience.
Botanical Features of Jasmine
Jasmine is part of the Oleaceae family, and there are more than 200 species of this delicate flower. The flower is typically white, though some species also bloom in yellow. Jasmine thrives in warm, tropical, and subtropical climates, making it perfectly suited for Pakistan’s environment. The plant is famous for its sweet and captivating fragrance, which intensifies at night, filling the air with its pleasant aroma.
Jasmine can be grown as a shrub or climbing vine, depending on the variety. It is easy to cultivate, requiring little more than well-drained soil, regular watering, and ample sunlight, which explains its widespread growth in home gardens, parks, and public spaces across the country.
Symbolism of Jasmine
Jasmine carries significant symbolism not just in Pakistan, but also across the world. Its sweet fragrance, simple beauty, and delicate petals have made it a symbol of many virtues. In Pakistan, the jasmine flower represents:
- Purity and Modesty:
The delicate white petals of the jasmine flower are seen as a representation of purity and innocence. This reflects Pakistan’s cultural emphasis on simplicity, modesty, and moral integrity. - Humility:
Despite its overwhelming beauty and fragrance, jasmine is a humble flower. It grows abundantly, often unnoticed in gardens and along fences. This humility resonates with Pakistan’s values of kindness, humility, and resilience. - Peace:
In a country that has gone through numerous struggles for peace and unity, jasmine symbolizes the enduring quest for harmony and calm. Its gentle nature and tranquil fragrance remind the nation of the importance of peace in society and the beauty of coexisting with one another. - Resilience:
Despite being delicate, jasmine is a resilient flower that can thrive in challenging climates. In many ways, this mirrors the spirit of Pakistan, a country that has faced and overcome various challenges, demonstrating great strength and resilience.
Cultural Significance of Jasmine in Pakistan
Jasmine has a significant cultural presence in Pakistan. It is often used in religious ceremonies, weddings, and festivals. Brides wear garlands of jasmine to symbolize beauty and purity. The flower is also used to decorate homes and mosques during various celebrations, including Eid and other national holidays. Jasmine garlands are frequently gifted to honor guests, showing hospitality and respect.
The fragrance of jasmine is also highly valued in the production of perfumes and oils in Pakistan. Jasmine oil, known for its therapeutic properties, is used in aromatherapy to reduce stress and promote relaxation.
Jasmine as the National Flower
In 1961, the jasmine was officially declared the national flower of Pakistan. Its selection was a reflection of the nation’s aspiration to embody the qualities of purity, simplicity, and unity in its national identity. As the country has developed over the years, jasmine remains a timeless symbol of the country’s beauty and resilience.
In addition to being the national flower, jasmine plays a vital role in promoting tourism in Pakistan. Jasmine-themed souvenirs, decorations, and fragrances are popular among tourists, symbolizing their connection to the country’s rich natural beauty and cultural heritage.
Jasmine in Poetry and Literature
Jasmine has often been used as a metaphor in Pakistani poetry and literature, symbolizing beauty, love, and longing. Renowned poets of Pakistan, including Faiz Ahmed Faiz, have used the image of jasmine to evoke powerful emotions of hope, love, and purity. Its fragrant presence in Pakistani gardens and homes has inspired countless poets and writers to include jasmine in their works, making it a beloved element of Pakistan’s literary tradition.
Conservation and Cultivation of Jasmine
Pakistan’s climate is naturally suited to jasmine cultivation. However, due to rapid urbanization and loss of green spaces, efforts have been made to promote its cultivation both in rural and urban areas. Many public parks and botanical gardens in major cities like Islamabad, Lahore, and Karachi feature beautifully maintained jasmine plants, and the flower remains a popular choice for home gardens due to its low maintenance and high aesthetic value.
Furthermore, campaigns have been launched to plant jasmine across the country as part of Pakistan’s reforestation and environmental conservation efforts. The flower not only adds to the aesthetic beauty of Pakistan’s landscapes but also contributes to the preservation of biodiversity.
Conclusion
Jasmine, the national flower of Pakistan, is more than just a delicate and fragrant bloom. It represents the nation’s essence, symbolizing purity, peace, humility, and resilience. As Pakistan continues to evolve in the modern world, the enduring presence of jasmine serves as a reminder of the nation’s core values and aspirations.
Whether growing in the gardens of homes or woven into the poetry and culture of the people, jasmine remains a deeply cherished and symbolic flower for all Pakistanis. It is a beacon of the beauty and strength that define the country, bringing with it a message of peace and hope for a prosperous future.
Lalak Jan; The living hero of the Kargil war
Captain Karnal Sher Khan Shaheed: The Invader

