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Peshawar Museum: Being largest one across globe to home Gandhara Art, all set to attract huge number of tourists on co

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PESHAWAR, (APP):Established in the heart of Peshawar some 150 years back on Sher Shah Suri Road, Peshawar Museum having a unique treasure of 30,000 antiquities of Gandhara civilization is all set to attract international tourists and followers of Buddhism   in droves following completion of ongoing renovation work to enhance its architectural outlook.

Being a lone museum of Gandhara Art in the world having around 30,000 antiquities and a complete life story of Founder of Buddhism, Lord Buddha, Peshawar Museum is going to become an international center for Gandhara Art lovers after completion of expansion, renovation and preservation work currently in progress under Khyber Pakhtunkhwa Integrated Tourism Project (KITE).

 Lateefur Rehman, Spokesperson Archeology and Museums Department told APP that conservation work on Peshawar Museum was initiated under the umbrella project of KITE worth Rs 17billion with assistance of World Bank to bring it at par with international standards and enhance its architectural value. 

“We have engaged skilled laborers and hired consultants for conservation works that will be completed soon,” he said. Being the world’s largest Museum of Gandhara Art, Peshawar Museum had a unique distinction of housing more than 30,000 antiquities out of which 14,000 were put on display for tourists, archeologists, and followers of Buddhism and the rest were kept preserved,” said Noor Khan, Incharge Peshawar Museum while talking to APP. 

Following completion of the work, he said, remaining artifacts would also be put on display for general public and international tourists.

 “It is the only museum in the world where a complete life story of the Founder of Buddhism, Lord Buddha was available and kept preserved in the forms of statues and panels, attracting followers of Buddhism and international tourists throughout the year,” he said. Besides ancient dresses of Waziristan tribes, primitive cooking utensils and jewelry, he said  adding, it was the only museum of South Asia where muzzleloader guns mostly used by British Army and Swords of freedom fighters, kings, warriors and punch marked coins were displayed. 

  “Most of these antiquities were adorned with museums in colonial period attracting foreign tourists from Europe, Thailand, Nepal, Sri Lanka, China, Japan, Turkey, Malaysia, SAARC and South East countries.” 

He said about 6,000 archeological sites were so far discovered in KP and important antiques collected from these sites were also preserved at Peshawar Museum. Recalling its past history, Spokesperson of Archeology said the Museum was started as Victoria Hall in 1896 initially used as Dancing Club and was later converted into Peshawar Museum in 1906. 

The present main hall of the museum was built in 1906 in the memory of Queen Victoria at the cost of Rs.60,000, out of which Rs.45,000 were donated by the public of then NWFP (now Khyber Pakhtunkhwa) and Rs15,000 by Director General of the Archaeology of that time. Following completion of building, the museum was set up in November 1907 to house Gandhara sculptures excavated from major Gandhara sites of Shah-Ji-Ki-Dheri Peshawar, Sahri Bahlol, Takht-i-Bahi in Mardan district and later from Jamal Garhi and other Gandharan sites excavated by British archeologists.

 The two-storey building, an amalgamation of the British and Mughal architectures, originally consisted of a main hall and two side aisles on ground and first floor, surmounted by four elegant cupolas and small pinnacles on all corners.

On the eastern and western side of the building, two halls were added in similar fashion in 1969-70. After its inception in 1907, Peshawar Museum was run by the Peshawar Municipality and Superintendent of Archaeological Survey of that time, Frontier Circle was Curator of the Museum.

When the Frontier Circle Office was shifted to Lahore in 1927, a full time Curator was appointed under the Provincial Government. Following independence of Pakistan, the Museum came under direct control of Director of Public Instructions (DPI), Government of NWFP (KP) Peshawar In 1971 and an autonomous body, Board of Governors, was constituted to run affairs of the Museum, headed first by Governor and later by the Chief Secretary, Government of NWFP (KP). In 1992, Government of NWFP (KP) established its own Directorate of Archaeology and Museums to ensure better protection and preservation of archaeological heritage of the province and today Peshawar Museum was working under the Sports and Tourism Department KP. 

 Manzoorul Haq, former ambassador of Pakistan while talking to APP  said, “Pakistan is blessed with a number of  heritage sites whether it is of Buddhism, Sikhism and Sufisim besides ancient civilizations situated in Mohenjo Daro, Mehrgarh, Taxila Harappa and Takht Bhai need proper projection on digital, electronic and social media to attract foreign tourists.” 

He said KP being a home of Gandhara Civilization can earn substantial revenue by constructing new museums to promote heritage and archeology tourism in the province. Noor Khan, In charge Peshawar Museum said construction work on two new museums were completed in DI Khan and Abbottabad where ancients antiquities, artifacts, coins and statues would soon be put on display for the general public, adding two more museums were being constructed in Kohat and Haripur.

 Following inauguration of these four new museums, he said the number of Museums would reach to 16 in KP where three Museums were already established in Peshawar, one each at Charsadda, Mardan, Lower Dir, Swat, Bannu and two in Chitral.

 A modern museum has been constructed at Hund Swabi district near the historical site from where Alexander the Great had crossed Indus River in 327 BC. Hund is also famous for Mehmood Ghaznavi’s invasion in 998, marking the beginning of Islamic era in the region.

“The Directorate of Archeology and Museums has made remarkable discovery unearthing 2,000 years old Bhuddists’ fresco paintings found first century AD coins and three fresco paintings at Abba Saib Cheena Swat. These paintings are one of the earliest Buddhist frescoes so far discovered in ancient Gandhara,” Lateefur Rehman  told APP.

 With assistance of Italian Govt, he said Heritage Field School (HFS) project worth around rupees. 1 billion has been started besides a mega project worth rupees. 30 billion approved under Accelerated Implementation Programme for exploration, excavation and conservation of archeological sites in merged tribal districts.

 Noor Khan said following the 18th constitutional amendment,  Swat Museum, ancient monuments of Takht Bhai, Sehri Behlol, Jamal Garhi in Mardan and Havalian Buddhists Monastery in Haripur had been handed over to KP. “Takht Bhai and Sehri Behlol sites were declared as protected monuments under an Ancient Preservation Act (1904) and Antiquity Act (1975) of Government of Pakistan and the entire mountain area of 445 hectares near it had been declared as Archaeological Reserve by KP Government,” he said.

 The Incharge Peshawar Museum said heritage and museums tourism had achieved tremendous growth during recent years in Pakistan especially in KP as evident from influx of tourists, Buddhists, Sikhs, archaeologists and historians.

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Meet the Literary Figure of Balochistan

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Atta Shad: The Giant Literary Figure

Literature has always played a great role in preserving and sustaining the culture, tradition, civilization, and lifestyle of the people. It is about the taste of life. Literary figures are the icons of literature who produce and reproduce pieces of stuff and give it life. They are the most profound and kind figures of society. So, today we will meet with the literary giant of Balochistan, Atta Shad.

Early life

Atta Shad is considered to be the forerunner of modern Balochi poetry, Shad was also a noted researcher and a critic. Shad was born as Mohammad Ishaq, in a carpenter’s family in the Kech District of Balochistan, during the year 1939. He got his education from Balochistan.

As a Poet

The lively man started his poetic journey during the late fifties, under the pen name of Atta Shad. Shad used poetry to present the world solely through a subjective outlook. His poetry is heavily dotted with imagery and artistic expressions. Hence, his work draws upon raw emotions, evoking moods and ideas. Besides, Shad’s observant and sensitive nature allowed him to take inspiration from the locales of his province. One can notice a multitude of metaphors in his works referring to the weather, topographical diversity, and natural beauty of Balochistan.

Whereas, the trailblazing poet disregarded the norms of his times and carved a path of his own. During his era, the Baloch literary scene was divided into two main groups. First were the purists, who were of the opinion that the Balochi language should be limited to the Western dialect only, which was used in the regions of Siestan and Makran. According to them, any other dialect ought to be shunned. Second were the progressives, who were less concerned with the technicalities of the language and insisted on concentrating upon the political and economic notions discussed in the poetry.

However, Shad distanced himself from such a divide and refused to be an adherent of either of the thoughts. Instead, he developed his own manner of poetry. In the beginning, Shad took inspiration from Faiz Ahmad Faiz’s way of writing, but soon his personal style emerged. Another vital feature of his style of writing is the inclusion of different dialects of the Balochi language in his works. Such a practice was initially discouraged by the traditional poets of that period.

However, with the passage of time, Atta Shad, with his flavorful poetry, gained a respectable rank among his peers. That is why his poetry surpasses the conventional manner of being limited to a single region. Western romantic poets such as Shelly, T.S. Elliot, and Coleridge also significantly inspired Shad. Most likely that is the reason why some of his Balochi poetry oozes with romanticism. He was also among the pioneers of free verse in Balochi poetry. For such an act, he was oft-times deemed rebellious.

His Urdu Poetry

Atta Shad also penned down poems in the Urdu language. He added a unique layer to his Urdu poetry by infusing Balochi axioms into his writings. One may find references of famous Balochi fables and romantic legends such as “Hani o Shay Mureed” and “Lori” in his works. Contrastingly, while deliberating on the Baloch locales, he did not turn a blind eye to the atrocities borne by the province over the years. Some of his work was also influenced by the political and social developments that took place around him.

However, instead of taking on a descriptive tone to explore the socio-political issues, the poet chose to discuss such solemn matters in a rather enchanting manner. As a result, his writings are still capable of evoking the required reactions among his readers. It is interesting to know that although he penned down poems in both Urdu and Balochi languages. But he published only Urdu poetry books during his lifetime.

His collections of Balochi poetry were published after his demise. “Barfaag” and “Singaab” are the book titles of his Urdu poetry anthologies, while his well-known Balochi works include “Shap Sahar Andem” and “Rochgir”.

As a Prose writer

Although Atta Shad is primarily known for his works in the field of poetry, he also delved into prose and delivered some exceptional pieces. However, his stint in essay and article writing remained somewhat limited. Nevertheless, his prose writings are regarded as valuable contributions to Balochi literature.

His Versatility

Apart from his contributions in poetry and literature, the maestro continued to serve the State of Pakistan in various capacities during his lifespan. He held a total of thirteen high-profile positions at numerous government departments ranging from the departments of archaeology, and information to the departments of forests, and public relations. Moreover, Shad also worked for Radio Pakistan during the sixties. He wrote various plays for Pakistan Television. He represented the Balochi language in various countries across the world, such as Australia, China, Iran, United States, United Kingdom, Singapore, and Turkey.

His winning Awards

In recognition of his role in poetry in Urdu and Balochi languages, Sitara e Imtiaz and Presidential Pride of Performance were awarded to him. Several educational institutions have been constructed in his name as a tribute to his services to literature including Atta Shad English Language Institute and Atta Shad Academy, Turbat.

Moreover, some community places have also been named after him namely, Atta Shad Auditorium, Idara-e-Saqafat-e-Balochistan in Quetta, and Atta Shad Park in Turbat.

Passed Away

On February 13, 1997, Atta Shad left this world for his heavenly abode. He is buried in the Qasi graveyard of Quetta, Balochistan. Shad’s poetic works continue to assist as a connection between Balochi and Urdu poetry. It is not wrong to say that Atta Shad was a man ahead of his time. His genius was discovered much later than when it should have been. Another vital feature of his style of writing is the inclusion of different dialects of the Balochi language in his works.

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Junction Point of Three Mountain Ranges: The Confluence of the Himalayas, Karakoram, and Hindu Kush

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One of the most geographically significant and awe-inspiring places on Earth lies in the northern region of Pakistan, where three of the world’s most iconic mountain ranges meet: the Himalayas, the Karakoram, and the Hindu Kush. This junction point, located near the city of Gilgit, is a rare and remarkable phenomenon, unmatched anywhere else in the world. The convergence of these mighty ranges has shaped the physical, cultural, and climatic landscape of the region, making it a globally significant site for mountaineers, geologists, and travelers alike.

The Great Mountain Ranges

  1. The Himalayas: Stretching over 2,400 kilometers across five countries, the Himalayas are the tallest mountain range in the world. Home to the planet’s highest peak, Mount Everest (8,848 meters), the Himalayas are a symbol of grandeur and natural beauty. In Pakistan, the westernmost end of the Himalayan range can be seen, which includes notable peaks such as Nanga Parbat (8,126 meters), the world’s ninth-highest mountain. Known as the “Killer Mountain,” Nanga Parbat is one of the most formidable challenges for mountaineers.
  2. The Karakoram Range: The Karakoram is arguably the most rugged and spectacular range, famed for its concentration of towering peaks. It contains K2 (8,611 meters), the second-highest mountain in the world and one of the most challenging climbs. The Karakoram range stretches over 500 kilometers and is home to some of the largest glaciers outside the polar regions, including the Baltoro Glacier and the Siachen Glacier. The Karakoram is known for its dramatic landscapes, with sharp ridges, ice-clad peaks, and deep valleys.
  3. The Hindu Kush: Extending from central Afghanistan to northern Pakistan, the Hindu Kush range is famous for its historical and geopolitical significance. It has acted as a natural barrier between Central Asia and South Asia for centuries, influencing the movement of peoples, cultures, and armies. The highest peak in the range is Tirich Mir (7,708 meters), located in Pakistan’s Chitral district. The Hindu Kush is known for its rugged terrain and steep passes, and its name is often translated as “Killer of the Hindus,” referencing the harsh conditions of the region.

The Unique Convergence

The junction point of these three colossal ranges is located near the Karakoram Highway (KKH), particularly at a place called Jaglot, just south of Gilgit city in Gilgit-Baltistan. This geographical marvel, often referred to as the “Triple Point”, is where the edges of the Himalayas, Karakoram, and Hindu Kush come together. The area is flanked by mighty peaks and offers stunning views of the ranges that diverge from this unique location, each heading off in different directions.

The Indus River flows nearby, further enhancing the dramatic natural beauty of the region. It cuts through these mountain ranges, acting as a lifeline for the people of Pakistan and feeding into the plains of Punjab and Sindh. The Indus River has its source in the Tibetan Plateau and journeys through these formidable mountains before entering Pakistan.

Geological Significance

The convergence of the Himalayas, Karakoram, and Hindu Kush is not only a breathtaking sight but also a point of great geological interest. This junction marks the collision of tectonic plates – the Indian Plate colliding with the Eurasian Plate. This tectonic activity is responsible for the creation of the Himalayan range and the continued growth of the mountains. The region remains seismically active, with earthquakes being a frequent occurrence.

The Karakoram and Hindu Kush ranges, though younger than the Himalayas in geological terms, are part of the same complex tectonic history. The ongoing tectonic forces continue to shape the landscape, giving rise to steep peaks, deep valleys, and massive glaciers.

Cultural and Historical Importance

The junction of these three ranges is not just a meeting point of mountains but also a crossroads of cultures. Historically, the region has been a part of ancient trade routes, including the famous Silk Road, which connected the East with the West. Traders, pilgrims, and conquerors have passed through these mountains, leaving behind a rich cultural legacy.

The indigenous people of the region, including Baltis, Shins, and Wakhis, have lived in the shadow of these mountains for centuries. Their cultures and traditions have been shaped by the harsh yet beautiful environment, with a deep connection to the land. The strategic importance of the region has also made it a point of interest for many empires throughout history, including the Mughals, British Empire, and modern-day powers.

Tourism and Mountaineering

The junction point of the Himalayas, Karakoram, and Hindu Kush has become a popular destination for adventurers, trekkers, and nature enthusiasts. The Karakoram Highway, often called the eighth wonder of the world, is one of the highest paved roads on the planet and offers access to this unique geographical feature. The highway, which follows the ancient Silk Road, attracts tourists seeking to experience the majestic landscapes and the rugged beauty of northern Pakistan.

Mountaineers are drawn to the region because of its concentration of some of the world’s highest and most challenging peaks. The Baltoro Glacier trek and expeditions to K2 and Nanga Parbat are among the most coveted adventures in the mountaineering world. The region is also home to beautiful valleys such as Hunza, Skardu, and Chitral, which offer stunning landscapes, ancient forts, and a glimpse into the unique cultures of the people living in this remote part of the world.

Environmental Concerns

While the region’s natural beauty and ruggedness are appealing, the area is also fragile and under threat from climate change. The glaciers of the Karakoram, Himalayas, and Hindu Kush are crucial sources of fresh water for millions of people in Pakistan and beyond, feeding major rivers like the Indus. However, these glaciers are now receding at an alarming rate due to rising global temperatures.

Efforts are being made to study and preserve the environment, but the challenges posed by climate change are significant. Sustainable tourism, environmental conservation, and responsible development are essential to ensuring that this unique region continues to thrive for future generations.

Conclusion

The junction point of the Himalayas, Karakoram, and Hindu Kush in northern Pakistan is a natural wonder of global significance. The convergence of these three mighty ranges represents the meeting of some of the most formidable and spectacular mountains in the world. Beyond its geographical and geological importance, the region is a cultural crossroads, a mountaineer’s paradise, and a crucial environmental zone.

As the “Roof of the World,” this part of Pakistan stands as a testament to the planet’s natural beauty and the enduring spirit of adventure that draws people to its towering peaks and vast landscapes.

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Roof of the World – where Pakistan’s mountains meet the heavens

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Pakistan is home to 108 peaks that rise above 7,000 meters, making it one of the premier destinations for high-altitude mountaineering. Most of these peaks are concentrated in the Karakoram and Himalayan ranges, with a few in the Hindu Kush. Here are some of the most prominent 7,000-meter peaks in Pakistan:

Notable 7,000+ Meter Peaks in Pakistan

  1. K2 – 8,611 meters (Second highest in the world)
  2. Nanga Parbat – 8,126 meters
  3. Broad Peak – 8,051 meters
  4. Gasherbrum I (Hidden Peak) – 8,080 meters
  5. Gasherbrum II – 8,035 meters
  6. Gasherbrum III – 7,946 meters
  7. Gasherbrum IV – 7,925 meters
  8. Distaghil Sar – 7,885 meters
  9. Masherbrum – 7,821 meters
  10. Rakaposhi – 7,788 meters
  11. Batura I – 7,795 meters
  12. Kanjut Sar – 7,760 meters
  13. Sia Kangri – 7,442 meters
  14. Chogolisa – 7,665 meters
  15. Tirich Mir – 7,708 meters

These towering peaks make Pakistan a globally renowned destination for climbers and trekkers alike.

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